Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Ergebnisse 1-3 von 12
Seite 134
... Aboriginal paintings cover the walls , the camera dollies past the set , the color of the film image fades , and an Aboriginal woman looks at us from the past , cen- turies ago . The present is permeated and sanctioned by the past - the ...
... Aboriginal paintings cover the walls , the camera dollies past the set , the color of the film image fades , and an Aboriginal woman looks at us from the past , cen- turies ago . The present is permeated and sanctioned by the past - the ...
Seite 157
... Aboriginal people . They relate to stories told by former colonists " ( 33 ) , a process of " stereotyping , iconising , and mythologising of Aboriginal people by white people who have never had first - hand contact with Aboriginal ...
... Aboriginal people . They relate to stories told by former colonists " ( 33 ) , a process of " stereotyping , iconising , and mythologising of Aboriginal people by white people who have never had first - hand contact with Aboriginal ...
Seite 158
... Aboriginal " person interacting with other Aboriginal people , located within Aboriginal culture ; the second is the " mythologising of Aboriginal people by white people who have never had any substantial first - hand contact with ...
... Aboriginal " person interacting with other Aboriginal people , located within Aboriginal culture ; the second is the " mythologising of Aboriginal people by white people who have never had any substantial first - hand contact with ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York