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Seite 147
She inscribes the point of view missing from US film history — African - American
women — and the idea of double vision : the black female hero passing as white
can only be recognized by other African - Americans . Dash connects sight to ...
She inscribes the point of view missing from US film history — African - American
women — and the idea of double vision : the black female hero passing as white
can only be recognized by other African - Americans . Dash connects sight to ...
Seite 151
history of intermarriage between African Americans and Native Americans , a
connection briefly referred to in Illusions : “ That intermarrying has never been
depicted on the screen , a Native American and an African American mating ,
bonding ...
history of intermarriage between African Americans and Native Americans , a
connection briefly referred to in Illusions : “ That intermarrying has never been
depicted on the screen , a Native American and an African American mating ,
bonding ...
Seite 204
Raymond Bellour is Maître de Recherches at the CNRS and has taught in the
American Center for Film and Critical Studies in Paris and at the University of
Paris III - Censier . His essays on film are collected in L ' analyse du film ( 1979 ) .
Raymond Bellour is Maître de Recherches at the CNRS and has taught in the
American Center for Film and Critical Studies in Paris and at the University of
Paris III - Censier . His essays on film are collected in L ' analyse du film ( 1979 ) .
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Inhalt
The Spaces of Sexuality and CPALYALS DEPL | 3 |
Posing the Subject of Early Medical Photography | 51 |
After ShockBetween Boredom and History | 77 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls Cambridge camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay example experience expressed face facial fantasy female feminine feminist Figure film gaze girl give hand human issues kind labor lack living look male meaning medical photography memory Moffatt mother movement Munby narrative nature Night object painting Paris particular past photographs politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space specific story structures Studies suggests takes theory thing thinking thought tion Trans truth University vision visual woman women writing York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |