Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Ergebnisse 1-3 von 14
Seite 146
... Birth of a Nation ( 1915 ) with its superimposition of Christ over the images of the two white couples and indeed all of humanity . Happily ever after depends on eliminating African - Americans from the national picture ; " the end " is ...
... Birth of a Nation ( 1915 ) with its superimposition of Christ over the images of the two white couples and indeed all of humanity . Happily ever after depends on eliminating African - Americans from the national picture ; " the end " is ...
Seite 151
... birth , death , sale . Those eighteenth - century Africans , they watch us , they keep us , those four generations of Africans . When they landed , they saw things we cannot see . " This is the history of survival , not defeat . In many ...
... birth , death , sale . Those eighteenth - century Africans , they watch us , they keep us , those four generations of Africans . When they landed , they saw things we cannot see . " This is the history of survival , not defeat . In many ...
Seite 173
... birth that it seeks to settle , often at the risk of appearing forced . As Henri Michaux said , “ In the absence of aura , at least scatter its effluvia " ( " Mouvements " 19 ) . Notes 1 For the quote in English , see Vanishing Presence ...
... birth that it seeks to settle , often at the risk of appearing forced . As Henri Michaux said , “ In the absence of aura , at least scatter its effluvia " ( " Mouvements " 19 ) . Notes 1 For the quote in English , see Vanishing Presence ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York