Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 3
... letter to the Wigan and District Adver- tiser ( 30 Jan. 1886 : 2 ) , Arthur Munby wrote , " for my own reasons , I have for more than thirty years , studied the subject of female labour , not merely in books and at second hand , but ...
... letter to the Wigan and District Adver- tiser ( 30 Jan. 1886 : 2 ) , Arthur Munby wrote , " for my own reasons , I have for more than thirty years , studied the subject of female labour , not merely in books and at second hand , but ...
Seite 61
... letter equates this photography with an objectionable excess , but here the excess is different . Seemingly unsatisfied with the established gynecological poses , his contemporaries have succumbed to fashion and provided “ innumerable ...
... letter equates this photography with an objectionable excess , but here the excess is different . Seemingly unsatisfied with the established gynecological poses , his contemporaries have succumbed to fashion and provided “ innumerable ...
Seite 197
... Letter from an Unknown Woman ) and suddenly give gripping glimpses of a cinematic flux that might do more than just retell the same old monologic stories . In its chronicling of , and reflecting on , the contemporary art of the image ...
... Letter from an Unknown Woman ) and suddenly give gripping glimpses of a cinematic flux that might do more than just retell the same old monologic stories . In its chronicling of , and reflecting on , the contemporary art of the image ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York