Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 106
... Sherman portrays fit into the already existing stereotypes of woman that serve to fulfill male desire . Hence , Sherman may be fulfilling male desires for fixity itself . Judith Williamson implies that the viewer is guilty for the ...
... Sherman portrays fit into the already existing stereotypes of woman that serve to fulfill male desire . Hence , Sherman may be fulfilling male desires for fixity itself . Judith Williamson implies that the viewer is guilty for the ...
Seite 113
... Sherman has undeniably taken the safe route . In addition , by not admitting to the autobiographical facets of her work , Sherman is legitimating the concept of a " universalized " experience of the stereotype . Highlighting this ...
... Sherman has undeniably taken the safe route . In addition , by not admitting to the autobiographical facets of her work , Sherman is legitimating the concept of a " universalized " experience of the stereotype . Highlighting this ...
Seite 117
... Sherman . " New Left Review 188 ( 1991 ) : 137-50 . Newman , Michael . " Mimesis and Abjection in Recent Photowork . " Thinking Art : Beyond Traditional Aesthetics . Ed . Andrew Benjamin and Peter Osborne . London : ICA , 1991. 111-27 ...
... Sherman . " New Left Review 188 ( 1991 ) : 137-50 . Newman , Michael . " Mimesis and Abjection in Recent Photowork . " Thinking Art : Beyond Traditional Aesthetics . Ed . Andrew Benjamin and Peter Osborne . London : ICA , 1991. 111-27 ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York