Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
Im Buch
Ergebnisse 1-3 von 7
Seite 82
... Thomas Weiskel similarly main- tains in his study of the romantic sublime that theories of bore- dom and anxiety assume their modern , secular quality only at the end of the eighteenth century ; in other words , at the begin- ning of ...
... Thomas Weiskel similarly main- tains in his study of the romantic sublime that theories of bore- dom and anxiety assume their modern , secular quality only at the end of the eighteenth century ; in other words , at the begin- ning of ...
Seite 98
... Thomas Cooper , eds . Dialogue with Photography . New York : Farrar , 1979 . Huguet , Michèle . L'ennui et ses discours . Paris : Presses Universitaires de France , 1984 . Jameson , Fredric . Postmodernism , or , The Cultural Logic of ...
... Thomas Cooper , eds . Dialogue with Photography . New York : Farrar , 1979 . Huguet , Michèle . L'ennui et ses discours . Paris : Presses Universitaires de France , 1984 . Jameson , Fredric . Postmodernism , or , The Cultural Logic of ...
Seite 191
... Thomas Ruff's closeups to the strategies of represen- tations of power in postindustrial society in the group portraits by Clegg and Guttmann , which subvert the traditional photographic gaze of domination and authority . Interestingly ...
... Thomas Ruff's closeups to the strategies of represen- tations of power in postindustrial society in the group portraits by Clegg and Guttmann , which subvert the traditional photographic gaze of domination and authority . Interestingly ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York