Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 64
... character and his restricted intelligence " ( 42 ) . Duchenne writes that he selected the old man for four reasons : his marked facial lines , deepened by age , which better illustrated muscle movement ; his thinness , which did the ...
... character and his restricted intelligence " ( 42 ) . Duchenne writes that he selected the old man for four reasons : his marked facial lines , deepened by age , which better illustrated muscle movement ; his thinness , which did the ...
Seite 159
... character of the unborn child , on the soundtrack ( in the wind and the music ) , in the values of love and compassion , in the formal structure — enables an identification with something much greater than race or gen- der or nation ...
... character of the unborn child , on the soundtrack ( in the wind and the music ) , in the values of love and compassion , in the formal structure — enables an identification with something much greater than race or gen- der or nation ...
Seite 190
... character of photography is hyperbo- lized : the cut - out images appear as discontinuous signs detached from a virtual narrative . Yet , Durand argues , the very intensity with which they capture the viewer's attention indeed , all the ...
... character of photography is hyperbo- lized : the cut - out images appear as discontinuous signs detached from a virtual narrative . Yet , Durand argues , the very intensity with which they capture the viewer's attention indeed , all the ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic African African-American analysis Arthur Munby artist avant-garde become Bellour blur body boredom bourgeois Brassaï calls Cambridge camera Camera Lucida Cindy Sherman cinema closeup construction contemporary critical critique culture Dash Daughters Deleuze desire discourse Duchenne Duchenne's Durand Eisenstein Ellen emotions ennui essay example experience face facial fantasy female feminine feminism feminist feminist film theory fetish figure film Fredric Jameson gaze gender girl hooks ical Jayamanne Jedda Jimmy Little Julie Dash Kracauer Krauss L'entre-images labor Langton look Madonna male meaning medical photography Mignon mise en scène modern mother Munby Munby's Murray narrative Night Cries nineteenth century nude object painting Paris photographs politics pose postmodern raphy relation remake representation reveals semiotic sexual difference shock signs social space specific story theater theory thinking tion tograph trace Tracey Moffatt Trans truth viewer vision visual woman women writing York