Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 81
... common , the ordinary , and the everyday . " In nineteenth - century romanticism , boredom takes on the quality of negative passion , associated both with the noth- ingness and nonbeing of the sublime as well as the unbearable ...
... common , the ordinary , and the everyday . " In nineteenth - century romanticism , boredom takes on the quality of negative passion , associated both with the noth- ingness and nonbeing of the sublime as well as the unbearable ...
Seite 145
... common with feminist film theory , including mutual sources , particularly Foucault and [ as with Teresa de Lauretis ] Peirce . Unlike most contemporary theorists , Deleuze's primary theoretical object is cinema , not literature.1 ...
... common with feminist film theory , including mutual sources , particularly Foucault and [ as with Teresa de Lauretis ] Peirce . Unlike most contemporary theorists , Deleuze's primary theoretical object is cinema , not literature.1 ...
Seite 153
... common as fish in the sea . The voice - over spirit says she needed to convince her father that " I was his child . " The men recall the slave ships . Mary tells the story about her baby , born dead , so she nursed another baby . Nana ...
... common as fish in the sea . The voice - over spirit says she needed to convince her father that " I was his child . " The men recall the slave ships . Mary tells the story about her baby , born dead , so she nursed another baby . Nana ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York