Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 24
... economic exploitation of a region crudely ravaged the work force and its natural resources . This is , according to Holland , a historical fact which is safe to know in 1911 because the text can reassure the readers that this harsh face ...
... economic exploitation of a region crudely ravaged the work force and its natural resources . This is , according to Holland , a historical fact which is safe to know in 1911 because the text can reassure the readers that this harsh face ...
Seite 25
... economic factors related to methods of payment and employment current in the mining industry , are represented as deviations which indi- cate the corrupted and criminalized character of the people . An unspoken norm generates both a ...
... economic factors related to methods of payment and employment current in the mining industry , are represented as deviations which indi- cate the corrupted and criminalized character of the people . An unspoken norm generates both a ...
Seite 85
... economy to the extent that money takes the place of all the manifoldness of things and expresses all qualitative ... economic system " ( " Mass Ornament " 70 ) . Importantly , neither Kracauer nor Benjamin see film and photography as ...
... economy to the extent that money takes the place of all the manifoldness of things and expresses all qualitative ... economic system " ( " Mass Ornament " 70 ) . Importantly , neither Kracauer nor Benjamin see film and photography as ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York