Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 103
... effect but rather that this effect is decisively determined by the institution within which the works function " ( 31 ) . Hence , a crucial component of the historical avant - garde was to " reintegrate art into the praxis of life ” and ...
... effect but rather that this effect is decisively determined by the institution within which the works function " ( 31 ) . Hence , a crucial component of the historical avant - garde was to " reintegrate art into the praxis of life ” and ...
Seite 170
... effect is restricted to a part of a motif - but a motif then abstracted from all context , an effect that evokes another tradition of painting in the Baconian portraits of Martien van Beeck and those of Didier de Nayer . In both cases ...
... effect is restricted to a part of a motif - but a motif then abstracted from all context , an effect that evokes another tradition of painting in the Baconian portraits of Martien van Beeck and those of Didier de Nayer . In both cases ...
Seite 173
... effect of the real , without ever taking itself for reality . • In one of the most inspired chapters in Le Cousin Pons , enti- tled " Treatise on the Occult Sciences , " Balzac puts forth the idea that " if someone had told Napoleon ...
... effect of the real , without ever taking itself for reality . • In one of the most inspired chapters in Le Cousin Pons , enti- tled " Treatise on the Occult Sciences , " Balzac puts forth the idea that " if someone had told Napoleon ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York