Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Ergebnisse 1-3 von 16
Seite 92
... identity as sexuality , and thereby attempts to reinvent the sexual as the source of identity as proof that something , rather than nothing at all , is taking place . This returns us to the question of nostalgia art and consumer culture ...
... identity as sexuality , and thereby attempts to reinvent the sexual as the source of identity as proof that something , rather than nothing at all , is taking place . This returns us to the question of nostalgia art and consumer culture ...
Seite 101
... identity while others , like Mira Schor , claim that the work reiterates and reinforces those same stereo- types . Amidst this vertigo of critical contradictions , Sherman remains silent . Critics protect her unwillingness to discuss ...
... identity while others , like Mira Schor , claim that the work reiterates and reinforces those same stereo- types . Amidst this vertigo of critical contradictions , Sherman remains silent . Critics protect her unwillingness to discuss ...
Seite 112
... identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply clouds the ...
... identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply clouds the ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York