Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 61
... looks off to her right , out of the frame , with a sad expression on her face . The room is filled with ornate furniture ... look will not merely be her afflicted limbs but her exposed chest and face as well . Like Keiller's photographs ...
... looks off to her right , out of the frame , with a sad expression on her face . The room is filled with ornate furniture ... look will not merely be her afflicted limbs but her exposed chest and face as well . Like Keiller's photographs ...
Seite 69
... look is made explicit within the sexual- ized encounter between the woman and the unseen man depicted in the photograph — and , more surprisingly , it is made discernible within the sexualized encounter between the viewer and the ...
... look is made explicit within the sexual- ized encounter between the woman and the unseen man depicted in the photograph — and , more surprisingly , it is made discernible within the sexualized encounter between the viewer and the ...
Seite 119
... look at the world . And this is perhaps what radically distinguishes photogra- phy from painting , as Pierre de Fenoyl has emphasized : “ If he obeys his finger and eye , the photographer does not touch what he sees , while the painter ...
... look at the world . And this is perhaps what radically distinguishes photogra- phy from painting , as Pierre de Fenoyl has emphasized : “ If he obeys his finger and eye , the photographer does not touch what he sees , while the painter ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York