Im Buch
Ergebnisse 1-3 von 33
Seite 101
While critics applaud Sherman ' s work for deconstructively denying the totality of
a “ real Cindy , ” the meaning of her work is dependent upon the concept of the
celebrity “ Cindy . " Simultaneously , critics partially negate her “ deconstruction ...
While critics applaud Sherman ' s work for deconstructively denying the totality of
a “ real Cindy , ” the meaning of her work is dependent upon the concept of the
celebrity “ Cindy . " Simultaneously , critics partially negate her “ deconstruction ...
Seite 106
Is the individual receiver any more responsible for these public meanings than
the individual artist ? Doesn ' t Sherman still control the viewing context , the
targeted audience , and , most importantly , the juxtaposition and composition of
signs ...
Is the individual receiver any more responsible for these public meanings than
the individual artist ? Doesn ' t Sherman still control the viewing context , the
targeted audience , and , most importantly , the juxtaposition and composition of
signs ...
Seite 189
La part de l ' ombre admirably traces this give - and - take between photography
and the real as a ( paradoxically ) logical unfolding of photographic meaning in
recent work . Durand ' s investigation into current work ( from the 1980s in ...
La part de l ' ombre admirably traces this give - and - take between photography
and the real as a ( paradoxically ) logical unfolding of photographic meaning in
recent work . Durand ' s investigation into current work ( from the 1980s in ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Spaces of Sexuality and CPALYALS DEPL | 3 |
Posing the Subject of Early Medical Photography | 51 |
After ShockBetween Boredom and History | 77 |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls Cambridge camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne effect emotions essay example experience expressed face facial fantasy female feminine feminist Figure film gaze girl give hand human issues kind labor lack living look male meaning medical photography memory Moffatt mother movement Munby narrative nature Night object painting Paris particular past photographs politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says seems sense sexual Sherman shock signs social space specific story structures Studies suggests takes theory thing thinking thought tion Trans truth University vision visual woman women writing York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |