Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
Im Buch
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Seite 69
... narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the photograph . First , we are told that the woman sees the man , the effect of which we construct by " cover [ ing ] the bottom half ...
... narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the photograph . First , we are told that the woman sees the man , the effect of which we construct by " cover [ ing ] the bottom half ...
Seite 74
... narrative , yet neither Burns nor Witkin makes any attempt to read the conjunction of the two discourses . 3 This ... narrative , a story of courage in the face of the difficult truth of medicine . Like Duchenne's dramatic narratives ...
... narrative , yet neither Burns nor Witkin makes any attempt to read the conjunction of the two discourses . 3 This ... narrative , a story of courage in the face of the difficult truth of medicine . Like Duchenne's dramatic narratives ...
Seite 145
... narration , orders cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a ...
... narration , orders cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York