Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 10
... original contact acquires its value as a secret only in being committed to writing which incurs the attendant risk of discovery . Yet there is always the repeated relief at the writer's renewed power to delay such exposure . The content ...
... original contact acquires its value as a secret only in being committed to writing which incurs the attendant risk of discovery . Yet there is always the repeated relief at the writer's renewed power to delay such exposure . The content ...
Seite 105
... original , a new commodity " ( 69-70 ) . Although Sherman has successfully called attention to the Hollywood codes of visuality through an ironic use of mime- sis , the contradictory responses to the work throws into question the level ...
... original , a new commodity " ( 69-70 ) . Although Sherman has successfully called attention to the Hollywood codes of visuality through an ironic use of mime- sis , the contradictory responses to the work throws into question the level ...
Seite 200
... original sense as human making , and if I refer to him as a " modern " writer , it is because he adds to all of the above aspects of writing that semioticized concep- tion that can take " writing " to include such contemporary forms of ...
... original sense as human making , and if I refer to him as a " modern " writer , it is because he adds to all of the above aspects of writing that semioticized concep- tion that can take " writing " to include such contemporary forms of ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York