Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 88
... Production anticipates reproduction ; production produces change in such a way as to superimpose the impression of speed onto that of monot- ony . Some people cry out against the acceleration of time , others cry out against stagnation ...
... Production anticipates reproduction ; production produces change in such a way as to superimpose the impression of speed onto that of monot- ony . Some people cry out against the acceleration of time , others cry out against stagnation ...
Seite 103
... production . Critics augment this perception of novelty by con- necting Sherman to the term " avant - garde . " In an art world that is philosophically bent upon looking for the new superstar artist , but that also has a need to produce ...
... production . Critics augment this perception of novelty by con- necting Sherman to the term " avant - garde . " In an art world that is philosophically bent upon looking for the new superstar artist , but that also has a need to produce ...
Seite 146
... production of a face , univocal systems which Deleuze and Guattari compare to primi- tive societies which are collective , polyvocal , corporeal . Deleuze and Guattari citing masks and adornments : " primitives have the most human of ...
... production of a face , univocal systems which Deleuze and Guattari compare to primi- tive societies which are collective , polyvocal , corporeal . Deleuze and Guattari citing masks and adornments : " primitives have the most human of ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York