Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 130
... story and the novel . For Ben- jamin , the story comes from " oral tradition " and shared experi- ence . Storytellers speak of the " circumstances " they have directly learned or they " simply pass it off as their own experience " ( 87 ) ...
... story and the novel . For Ben- jamin , the story comes from " oral tradition " and shared experi- ence . Storytellers speak of the " circumstances " they have directly learned or they " simply pass it off as their own experience " ( 87 ) ...
Seite 153
... story of our lives . Mary talks about the rape of " col- ored woman , " common as fish in the sea . The voice - over spirit says she needed to convince her father that " I was his child . " The men recall the slave ships . Mary tells ...
... story of our lives . Mary talks about the rape of " col- ored woman , " common as fish in the sea . The voice - over spirit says she needed to convince her father that " I was his child . " The men recall the slave ships . Mary tells ...
Seite 154
... story . But this is not the same old story . This story focuses on mothers and daughters . Their centrality changes the past . hooks writes , “ I , too , am in search of the debris of history . I am wiping the dust off past ...
... story . But this is not the same old story . This story focuses on mothers and daughters . Their centrality changes the past . hooks writes , “ I , too , am in search of the debris of history . I am wiping the dust off past ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York