Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 54
... structure and the image of a partic- ularly embodied moment , the pose operates within both an aes- thetic for arranging the body of a model in a pleasing way consistent with established norms from painting and drawing , and. Figure 2 ...
... structure and the image of a partic- ularly embodied moment , the pose operates within both an aes- thetic for arranging the body of a model in a pleasing way consistent with established norms from painting and drawing , and. Figure 2 ...
Seite 99
... , Thomas . The Romantic Sublime : Studies in the Structure and Psy- chology of Transcendence . Baltimore : John Hopkins UP , 1976 . The Sherman Phenomenon : A Foreclosure of Dialectical Reasoning Nadine Winter 1993-94 99.
... , Thomas . The Romantic Sublime : Studies in the Structure and Psy- chology of Transcendence . Baltimore : John Hopkins UP , 1976 . The Sherman Phenomenon : A Foreclosure of Dialectical Reasoning Nadine Winter 1993-94 99.
Seite 159
... structure — enables an identification with something much greater than race or gen- der or nation . This " love " is Daughters of the Dust's " truth , " which can be felt , experienced , and known . ― Notes 1 Correspondence with Moffatt ...
... structure — enables an identification with something much greater than race or gen- der or nation . This " love " is Daughters of the Dust's " truth , " which can be felt , experienced , and known . ― Notes 1 Correspondence with Moffatt ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York