Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 2Indiana University Press, 1994 |
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Seite 158
... tion " generated when Aboriginal and non - Aboriginal people engage in actual dialogue , " where they " test imagined models of the other " ( 35 ) " to find satisfactory forms of mutual comprehension " ( 81 ) . In this third ...
... tion " generated when Aboriginal and non - Aboriginal people engage in actual dialogue , " where they " test imagined models of the other " ( 35 ) " to find satisfactory forms of mutual comprehension " ( 81 ) . In this third ...
Seite 165
... tion to event and evidence . But out - of - focus images also allow us to see better , or rather to see what is clear in a different way . Lack of focus can even serve to illuminate the essence of the photo- graph , what distinguishes ...
... tion to event and evidence . But out - of - focus images also allow us to see better , or rather to see what is clear in a different way . Lack of focus can even serve to illuminate the essence of the photo- graph , what distinguishes ...
Seite 195
... tion with that of her claim that photography seems to have offered the impressionists another sort of narcissism , the strange impen- etrability of nature as reflected on the pond of Narcissus . The specular " Other " frequently ...
... tion with that of her claim that photography seems to have offered the impressionists another sort of narcissism , the strange impen- etrability of nature as reflected on the pond of Narcissus . The specular " Other " frequently ...
Inhalt
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York