The Noble Savage: Allegory of FreedomWilfrid Laurier University Press, 30.04.1990 - 182 Seiten Stelio Cro’s revealing work, arising from his more than half dozen previous books, considers the eighteenth-century Enlightenment in the context of the European experience with, and reaction to, the cultures of America’s original inhabitants. Taking into account Spanish, Italian, French, and English sources, the author describes how the building materials for Rousseau’s allegory of the Noble Savage came from the early Spanish chroniclers of the discovery and conquest of America, the Jesuit Relations of the Paraguay Missions (a Utopia in its own right), the Essais of Montaigne, Italian Humanism, Shakespeare’s Tempest, writers of Spain’s Golden Age, Defoe’s Robinson Crusoe, and the European philosophes. |
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... Notes to Introduction PART I ix xi xiii 1 9 Chapter 1 RISE AND FALL OF THE NOBLE SAVAGE The Return of Ulysses and ... Notes to Chapter 1 Chapter 2 Enlightenment and " Ilustración " Notes to Chapter 2 Chapter 3 The Noble Savage and the ...
... Notes to Chapter 7 104 Chapter 8 Utopia as Anti - Climax 107 The Pessimistic View of Jonathan Swift : Gulliver's Travels 107 Prévost : Utopia versus the Noble Savage 109 Notes to Chapter 8 111 Chapter 9 The Anthropological and Juridical ...
... Notes by Ben Ray Redman , New York , The Viking Press , 1960 , p . 41 . 23 Cf. Jean - Jacques Rousseau , A Discourse on Inequality , Translated with an Introduction and Notes by Maurice Cranston , Penguin Books , 1984 , p . 131. All ...
Inhalt
The Roots of the Noble Savage | 1 |
The Return of Ulysses and the Spanish Utopia | 13 |
Chapter 2 | 57 |
Urheberrecht | |
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