The Noble Savage: Allegory of FreedomWilfrid Laurier University Press, 30.04.1990 - 182 Seiten Stelio Cro’s revealing work, arising from his more than half dozen previous books, considers the eighteenth-century Enlightenment in the context of the European experience with, and reaction to, the cultures of America’s original inhabitants. Taking into account Spanish, Italian, French, and English sources, the author describes how the building materials for Rousseau’s allegory of the Noble Savage came from the early Spanish chroniclers of the discovery and conquest of America, the Jesuit Relations of the Paraguay Missions (a Utopia in its own right), the Essais of Montaigne, Italian Humanism, Shakespeare’s Tempest, writers of Spain’s Golden Age, Defoe’s Robinson Crusoe, and the European philosophes. |
Im Buch
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... SAVAGE IN THE EIGHTEENTH CENTURY Chapter 7 The First Artistic Rendition : Robinson Crusoe 93 Naturalism versus Allegory A New Look at Utopia 93 94 The Schooling of the Ideal Disciple 99 Notes to Chapter ... Noble Savage : Allegory of Freedom.
... indeed and about which there can be no dispute , and 3 that is the ability of self - improvement an 1 Introduction: The Roots of the Noble Savage Notes to Introduction PART I ix xi xiii Chapter RISE AND FALL OF THE NOBLE SAVAGE.
... noble savage is replaced by Rousseau's allegory of freedom , Absolutism becomes the target of the Revolution . The scope of the reforms cannot be limited to the Catholic Church or to the Jesuit Order . They now are pointing straight at ...
Inhalt
The Roots of the Noble Savage | 1 |
The Return of Ulysses and the Spanish Utopia | 13 |
Chapter 2 | 57 |
Urheberrecht | |
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