A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 03.01.2008 - 560 Seiten Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Seite 159
... Aeschylus and The Oresteia Starting with Aeschylus is logical , especially as only The Oresteia as a connected trilogy offers the opportunity to consider the full dramatic shape . Agamemnon opens , as does Hamlet , at a human level with ...
... Aeschylus and The Oresteia Starting with Aeschylus is logical , especially as only The Oresteia as a connected trilogy offers the opportunity to consider the full dramatic shape . Agamemnon opens , as does Hamlet , at a human level with ...
Seite 221
... Aeschylus ' theatre over Euripides ' been self - evident to Aristophanes ' ancient and modern spectators and readers ... Aeschylus ' plays must have begun before the last decade of the fifth century . The interest by Sophocles ...
... Aeschylus ' theatre over Euripides ' been self - evident to Aristophanes ' ancient and modern spectators and readers ... Aeschylus ' plays must have begun before the last decade of the fifth century . The interest by Sophocles ...
Seite 249
... Aeschylus was unknown at the time : Thomson's Agamemnon ( 1738 ) , which was a roaring success in the theatre and was very widely printed , demands knowledge of Aeschylus no less than Seneca in its treatment of the Argive dynastic ...
... Aeschylus was unknown at the time : Thomson's Agamemnon ( 1738 ) , which was a roaring success in the theatre and was very widely printed , demands knowledge of Aeschylus no less than Seneca in its treatment of the Argive dynastic ...
Inhalt
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Urheberrecht | |
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