A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 03.01.2008 - 560 Seiten Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Seite 364
... production . Soteriades ' translation was not based on the original but rendered the text second- hand , if not third - hand ( Sideres 1976 : 195 ) . Giannes Sideres , the early Greek the- atre historian , created the long - standing ...
... production . Soteriades ' translation was not based on the original but rendered the text second- hand , if not third - hand ( Sideres 1976 : 195 ) . Giannes Sideres , the early Greek the- atre historian , created the long - standing ...
Seite 365
... production's foreign form and ornate opsis trans- formed it into something of a ' Wagnerian melodrama ' , complete with choral parts reduced to Romanticist musical interludes ( Georgousopoulos 1982-84 : 1 : 232 , 2 : 200 ; also Sideres ...
... production's foreign form and ornate opsis trans- formed it into something of a ' Wagnerian melodrama ' , complete with choral parts reduced to Romanticist musical interludes ( Georgousopoulos 1982-84 : 1 : 232 , 2 : 200 ; also Sideres ...
Seite 369
... production ever since its grand opening performance in Potsdam in 1841. The translation was by Johann Jakob Christian Donner and the production enjoyed the patronage of Friedrich Wilhelm IV of Prussia ( Flashar 2001 : 36–44 , and 1991 ...
... production ever since its grand opening performance in Potsdam in 1841. The translation was by Johann Jakob Christian Donner and the production enjoyed the patronage of Friedrich Wilhelm IV of Prussia ( Flashar 2001 : 36–44 , and 1991 ...
Inhalt
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Urheberrecht | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words