A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 03.01.2008 - 560 Seiten Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Seite 52
... society or Persian ideology undergoes can be for a number of reasons . First and foremost , distortion is the result of a variety of Greek ideological agendas , the need for Persia to provide an exemplum of moral decadence ( or of ...
... society or Persian ideology undergoes can be for a number of reasons . First and foremost , distortion is the result of a variety of Greek ideological agendas , the need for Persia to provide an exemplum of moral decadence ( or of ...
Seite 100
... society . Whereas prior to independence Williams had recourse to analogies with ancient Greece , classical allusions ... society . This attitude had its origins in the society of the plantocracy where the education of slaves and ...
... society . Whereas prior to independence Williams had recourse to analogies with ancient Greece , classical allusions ... society . This attitude had its origins in the society of the plantocracy where the education of slaves and ...
Seite 111
... society in which the kind of ' liberal ' education that he had received under the colonial era was constrained by ... society , see the excellent studies by Selwyn Cudjoe ( 1993 : 36–110 , and 1997 ) and Gordon Rohlehr ( 1997 ) . A ...
... society in which the kind of ' liberal ' education that he had received under the colonial era was constrained by ... society , see the excellent studies by Selwyn Cudjoe ( 1993 : 36–110 , and 1997 ) and Gordon Rohlehr ( 1997 ) . A ...
Inhalt
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Urheberrecht | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words