A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 03.01.2008 - 560 Seiten Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Seite 13
... tradition ' in studying the recep- tion of classical antiquity . Tradition is a remarkably open and wide - ranging concept . Its core meaning of ' passing on ' has relevance in numerous contexts , and as a result tradition has a role in ...
... tradition ' in studying the recep- tion of classical antiquity . Tradition is a remarkably open and wide - ranging concept . Its core meaning of ' passing on ' has relevance in numerous contexts , and as a result tradition has a role in ...
Seite 14
... Tradition ( Kallendorf 2007 ) . At the same time , some scholars , anxious because of the connotations of conservatism and elitism that the classical tradition cannot always shed , avoid it altogether at the expense of the term ...
... Tradition ( Kallendorf 2007 ) . At the same time , some scholars , anxious because of the connotations of conservatism and elitism that the classical tradition cannot always shed , avoid it altogether at the expense of the term ...
Seite 24
... traditions , would produce further differences . The notions of tradition and reception owe much of their currency to their vague and suggestive quality , which makes both of them flexible umbrella terms for a wide range of critical ...
... traditions , would produce further differences . The notions of tradition and reception owe much of their currency to their vague and suggestive quality , which makes both of them flexible umbrella terms for a wide range of critical ...
Inhalt
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Urheberrecht | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words