Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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accept achieved anima animus Anna Karenina archetypal aspects Barbara Hannah becomes believe benign Catherine II Catherine's Cathy Cathy's Chapter characters child Complete Poems conflict creative cries cruelty D.H. Lawrence D.W. Winnicott dead mother Dean's death declares desperate destructive Dr Hannah drama dream dynamics Earnshaw Edgar elements embodied embrace Emily Brontë Emily's eyes F.R. Leavis face fantasy father feel female feminine Gérin ghost Hannah points Hareton hate Heath Heathcliff and Catherine Hindley Hugh human impulse individuation inner world Isabella Joseph Jules et Jim Jung Jungian kind King Lear Lady Chatterley's Lover Linton Lockwood lover male marriage marry masculine merge moral teething Nelly Dean never normal novel pain passion Patrick Brontë psyche psychic psychological Q.D. Leavis reader realism reality relationship ruthless says seems sense sexual soul speaks story strange Striving Towards Wholeness surely symbolism tell Thrushcross Grange unconscious Welsh woman Wuthering Heights yearning