Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Seite 31
... Catherine , finds that Emily was left with ' hopeless inconsistencies ' on her hands : Catherine's feelings for Heathcliff being ' never sexual ' while Heathcliff's feelings for her ' are always those of a lover ' . There is ' Catherine's ...
... Catherine , finds that Emily was left with ' hopeless inconsistencies ' on her hands : Catherine's feelings for Heathcliff being ' never sexual ' while Heathcliff's feelings for her ' are always those of a lover ' . There is ' Catherine's ...
Seite 44
A Drama of Being David Holbrook. by young Catherine and the household in which he grew up . Catherine's susceptibility to his spell can have no ' psycho- logical reason ' either , from the events in her upbringing as depicted in the book ...
A Drama of Being David Holbrook. by young Catherine and the household in which he grew up . Catherine's susceptibility to his spell can have no ' psycho- logical reason ' either , from the events in her upbringing as depicted in the book ...
Seite 162
... Catherine's face , of course , is the face of Cathy I , whose ghost is approaching him . Or , from my interpretation , he is beginning to see his own end , in the begin- ning Catherine II is making with Hareton . One often wonders , of ...
... Catherine's face , of course , is the face of Cathy I , whose ghost is approaching him . Or , from my interpretation , he is beginning to see his own end , in the begin- ning Catherine II is making with Hareton . One often wonders , of ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning