Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Seite 61
... Hannah begins her book with the assertion that it has always been noted that ' every living creature was striving to complete the pattern of its existence as fully as possible ' . One of the problems in our era , however , is that ...
... Hannah begins her book with the assertion that it has always been noted that ' every living creature was striving to complete the pattern of its existence as fully as possible ' . One of the problems in our era , however , is that ...
Seite 73
... Hannah says ' It may have made it still more difficult for the girls to grow up as women'.2 , 26 Mr Lockwood's second dream thus announces a leitmotif : the feminine side of Emily's soul has ' somehow or other to be redeemed from its ...
... Hannah says ' It may have made it still more difficult for the girls to grow up as women'.2 , 26 Mr Lockwood's second dream thus announces a leitmotif : the feminine side of Emily's soul has ' somehow or other to be redeemed from its ...
Seite 77
... Hannah declares that this application of torture has an object which is to remove the milk teeth , the infantile innocence of the figures in Emily's psyche , to enable them to overcome by accepting their suffering . This Dr Hannah sees ...
... Hannah declares that this application of torture has an object which is to remove the milk teeth , the infantile innocence of the figures in Emily's psyche , to enable them to overcome by accepting their suffering . This Dr Hannah sees ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning