Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Ergebnisse 1-3 von 42
Seite 77
... believe in it , discuss this state ? But Dr Hannah now discusses what is perhaps the crux of the work . When Heathcliff has shattered the illusions of Isabella , he declares , ' I have no pity ! I have no pity ! The more the worms ...
... believe in it , discuss this state ? But Dr Hannah now discusses what is perhaps the crux of the work . When Heathcliff has shattered the illusions of Isabella , he declares , ' I have no pity ! I have no pity ! The more the worms ...
Seite 167
... believe the dead are at peace , but it is not right to speak of them with levity ' . Lockwood avoids Hareton and Cathy , but goes out to look at the graves in the churchyard next the moor , and the novel ends , equivocally as many believe ...
... believe the dead are at peace , but it is not right to speak of them with levity ' . Lockwood avoids Hareton and Cathy , but goes out to look at the graves in the churchyard next the moor , and the novel ends , equivocally as many believe ...
Seite 169
... believe , and to convince her - really believe and truly convince - that ' Charlie ' must be ' kept ' . ( It is significant that the name derived unconsciously from the therapist who realized later he had recalled a disturb- ing film in ...
... believe , and to convince her - really believe and truly convince - that ' Charlie ' must be ' kept ' . ( It is significant that the name derived unconsciously from the therapist who realized later he had recalled a disturb- ing film in ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning