Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Ergebnisse 1-3 von 64
Seite 79
... death alone , that I feel and see only death ! I feel like death !! ' 35 But Heathcliff begins to be apathetic , even about his moral teething : he allows her to stay in bed alone for a fortnight , only interrupting her to show her ...
... death alone , that I feel and see only death ! I feel like death !! ' 35 But Heathcliff begins to be apathetic , even about his moral teething : he allows her to stay in bed alone for a fortnight , only interrupting her to show her ...
Seite 97
... death , which was like the loss of a second mother , and , in her close contact with his masculine mind , she took in the Byronic theme of reunion in death ( with the lost Maria ) —as in his long poem ' Misery'.29 Perhaps , indeed ...
... death , which was like the loss of a second mother , and , in her close contact with his masculine mind , she took in the Byronic theme of reunion in death ( with the lost Maria ) —as in his long poem ' Misery'.29 Perhaps , indeed ...
Seite 174
... death is given vividly as a death , he does not , significantly , think of his ' fading away ' as a death . It is rather a merging ( and later symbolized by the shared burial ) , and , of course , anticipated by his attempts to uncover ...
... death is given vividly as a death , he does not , significantly , think of his ' fading away ' as a death . It is rather a merging ( and later symbolized by the shared burial ) , and , of course , anticipated by his attempts to uncover ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning