Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Seite 16
... deep preoccupation with some major problem of life , some existential theme . What this existential theme is , I endeavour to explain in the book that follows . If one penetrates to this sphere , one can perhaps explain how it was that ...
... deep preoccupation with some major problem of life , some existential theme . What this existential theme is , I endeavour to explain in the book that follows . If one penetrates to this sphere , one can perhaps explain how it was that ...
Seite 41
... deep to allow her to rest on such a compromise : when one takes into account such deeper needs , one can see that the mild and generous Edgar and Catherine in that mood have no advantage over the domineering Heathcliff , since they are ...
... deep to allow her to rest on such a compromise : when one takes into account such deeper needs , one can see that the mild and generous Edgar and Catherine in that mood have no advantage over the domineering Heathcliff , since they are ...
Seite 120
... deep and growing happiness ' , and in the phrases that follow Emily Brontë is addressing the reader in a Dostoevskian way — that is , in a way that recognizes the schizoid problem and the problem of existential authenticity . It is ...
... deep and growing happiness ' , and in the phrases that follow Emily Brontë is addressing the reader in a Dostoevskian way — that is , in a way that recognizes the schizoid problem and the problem of existential authenticity . It is ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning