Wuthering Heights: A Drama of BeingSheffield Academic Press, 1997 - 200 Seiten In this unconventional study, David Holbrook sets out to demonstrate that this novel is a dramatization of Emily Bronte's own tormented psyche. It draws on various sources in psychoanalytical thought to unravel the novel's dynamics. The author invokes the Jungian analysis offered by Dr Hannah Segal and others, and adds to these the insights of D.W. Winnicott, W.R.D. Fairbairn and R.D. Laing. He sees the novel as a dramatization of intrapsychic conflict within Emily's own soul and as belonging to a remarkable effort on her part to find harmony and fulfilment by engaging with the most savage proclivities within her, as they emerged from the sources of her Irish historical roots and her strange isolated life. |
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Seite 42
... says in her last interview with Heathcliff . He says ' She showed herself , as she often was , in life , a devil to me ' and he accuses her of ' infernal selfishness ' . His entangle- ment with Catherine represents a determination on ...
... says in her last interview with Heathcliff . He says ' She showed herself , as she often was , in life , a devil to me ' and he accuses her of ' infernal selfishness ' . His entangle- ment with Catherine represents a determination on ...
Seite 44
... says , ' it is important to realize that the principal events are made to take place in the early adolescence of all the main actors , when they are so young as to be at the mercy of their impulses ' - are young people in adolescence at ...
... says , ' it is important to realize that the principal events are made to take place in the early adolescence of all the main actors , when they are so young as to be at the mercy of their impulses ' - are young people in adolescence at ...
Seite 191
... says it is not clear what is fiction and what is fact , in these stories - Patrick's father became a great racon- teur , while the Irish at large thrived on such fantastic stories . But certainly this would have been the family story ...
... says it is not clear what is fiction and what is fact , in these stories - Patrick's father became a great racon- teur , while the Irish at large thrived on such fantastic stories . But certainly this would have been the family story ...
Inhalt
Contents | 7 |
CHAPTER 1 | 24 |
CHAPTER 3 | 46 |
Urheberrecht | |
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accept achieved anima animus asks aspects becomes begins believe belong called Catherine Catherine's Cathy Chapter characters child close comes complete continue course creative dead death deep destructive discussed dream dynamics Earnshaw Edgar elements Emily Brontë Emily's existence experience expression eyes face fantasy father feel female figure ghost give goes hand Hannah Hareton hate heart Heath Heathcliff Hindley human impulse individuation inner interpretation Isabella kind Leavis Linton live Lockwood look male marriage marry meaning mind moral mother nature Nelly Nelly Dean never normal novel pain passion perhaps person play Poems possible problem psyche question reader reality relation relationship represents says schizoid seeking seems seen sense soul speaks story strange surely symbolism tell thing trying turn unconscious whole woman Wuthering Heights yearning