Tragedy and Comedy: A Systematic Study and a Critique of Hegel

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SUNY Press, 01.01.1998 - 450 Seiten
In the first evaluation and critique of Hegel's theory of tragedy and comedy in any language, Mark William Roche points out the strengths and weaknesses of Hegel's positions while developing an original theory of both genres. Along with its theoretical discussions, the book weaves together in an entertaining and provocative way commentary on an array of artworks, from Greek drama to contemporary American cinema, with a particular focus on modern European and especially German drama. What emerges from this study is not only a clearer picture of Hegel's strengths and weaknesses but an original study of tragedy and comedy that will be studied along with other modern classics such as those of Peter Szondi and Northrop Frye.
 

Inhalt

III
1
V
7
VI
12
VII
21
VIII
27
IX
32
X
35
XI
39
XXXI
183
XXXII
196
XXXIII
205
XXXIV
235
XXXV
247
XXXVI
248
XXXVII
250
XXXVIII
255

XII
45
XIII
49
XIV
51
XV
60
XVI
64
XVII
66
XVIII
67
XIX
69
XX
70
XXI
79
XXII
91
XXIII
103
XXIV
108
XXV
118
XXVI
126
XXVII
135
XXVIII
140
XXIX
150
XXX
162
XXXIX
264
XL
270
XLI
272
XLII
274
XLIII
277
XLIV
281
XLV
288
XLVI
297
XLVII
308
XLVIII
311
XLIX
313
L
321
LI
327
LII
333
LIII
335
LIV
409
LV
441
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Autoren-Profil (1998)

Mark William Roche is I. A. O'Shaughnessy Dean of the College of Arts and Letters, the Reverend Edmund P. Joyce, C.S.C. Professor of German Language and Literature and Concurrent Professor of Philosophy at the University of Notre Dame. Roche is the author of Dynamic Stillness: Philosophical Conceptions of Ruhe in Schiller, Holderlin, Buchner, and Heine and Gottfried Benn's Static Poetry: Intellectual-Historical and Aesthetic Interpretations.

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