Shakespeare, Jonson, Molière: The Comic ContractMacmillan, 1980 - 246 Seiten |
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Seite xvii
... audience of comedy , or rather what I do not mean . I do not mean the audience in the theatre for whom the play was first written and before whom it was first performed , nor yet the succession of various audi- ences who have seen it ...
... audience of comedy , or rather what I do not mean . I do not mean the audience in the theatre for whom the play was first written and before whom it was first performed , nor yet the succession of various audi- ences who have seen it ...
Seite 17
... audience , whether the people at the Hope or the King himself , are exempted from seeing themselves as involved in the comedy , surely this drastically limits its seriousness . If it is not the audience or the audience's own society ...
... audience , whether the people at the Hope or the King himself , are exempted from seeing themselves as involved in the comedy , surely this drastically limits its seriousness . If it is not the audience or the audience's own society ...
Seite 133
... audience sponsor and as gentleman . This does not mean necessarily that the two plays were directed up - market at the more aristocratic members of Jonson or Molière's audience . Rather the attitude of Clitandre or of the wits in ...
... audience sponsor and as gentleman . This does not mean necessarily that the two plays were directed up - market at the more aristocratic members of Jonson or Molière's audience . Rather the attitude of Clitandre or of the wits in ...
Inhalt
The Triumph of Nature | 19 |
Comic Controllers | 43 |
Quacks and Conmen | 69 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
absurd action Agnès Alceste Alchemist appear argues argument Arnolphe attempt attitude audience authority Bartholomew Fair become believe century chapter characters comedy comic contrast course court critics doctors Dom Juan doubt Duke earlier effect Elizabethan Epicoene example expect fact Fair father feel Femmes figure final force give given human idea ideal ironic irony Jonson Juan justice King ladies language laugh less London look lovers marriage master means Measure Measure for Measure Médecin Molière Molière's moral nature never Night's normal pattern play position Précieuses Prospero reason representative ridiculous role satire scene seems seen sense sexual Shakespeare social society sort speech stage suggests surely Tartuffe theatre Theseus things tradition Troilus and Cressida turn Volpone whole