Finding the Floor: Conquering Fear in the Acting Process

ability able achieve acting action active actor allow analysis analytical apply approach artist Arts Asian Stage Discipline awareness basic become beginning believe blocks body breath causes censor central chapter character character's choices Client commitment communication confidence connection Consequently create creative described develop Dialogue director effective effort emotional enabled encouraged energy engage ensemble exercises experience exploration fear feel Feste focus Frankie Armstrong give idea illustration images incorporate inner learned lines looking Mancha Manila material mean methods moment moments move nature necessary negative objective onstage overcome performance physical play positive prevents production Prostitute psychophysical quiet rehearsal relate relationship release response role scene sense singing situation skills solutions specific spine story strong student successful techniques tension theatre things trust understanding vocal voice whole York