Basic Principles of SpeechHoughton Mifflin, 1936 - 577 Seiten |
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Seite 33
... holds attention 3. A poor teacher I know : why he loses attention 4. A great speaker I heard : his power in holding ... hold attention 10. Or your choice of any other subject that lends itself to this assignment . III . Exercises that ...
... holds attention 3. A poor teacher I know : why he loses attention 4. A great speaker I heard : his power in holding ... hold attention 10. Or your choice of any other subject that lends itself to this assignment . III . Exercises that ...
Seite 99
... hold my own in this psychic conflict . " There are other specific helps . Pick out one person in the audience , preferably in the first row , and address yourself ex- clusively to him until you feel that you have established com ...
... hold my own in this psychic conflict . " There are other specific helps . Pick out one person in the audience , preferably in the first row , and address yourself ex- clusively to him until you feel that you have established com ...
Seite 497
... hold attention through his ideas , and through skill in composition and in delivery . He may hold attention by dealing with the immediate interests of his listeners , or by discussing novel , entertaining , or exotic aspects of life ...
... hold attention through his ideas , and through skill in composition and in delivery . He may hold attention by dealing with the immediate interests of his listeners , or by discussing novel , entertaining , or exotic aspects of life ...
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Häufige Begriffe und Wortgruppen
Absent-minded professors ALFRED LORD TENNYSON Alfred Noyes aloud appeal argument arouse interest audience behavior bodily action body breath Carl Sandburg cause chapter character climax communicate Conclusion conversation covert action cues discussion effective emotional establish contact Exercises expression extemporaneous speech eyes fact fear force Franklin D free verse gestures give habits hand hearers hold attention human impulse inflections Knight Dunlap larynx listen logical Louis Untermeyer means melody memorize ment mental attitude method mind move movements muscles nature negative suggestion outline pauses person persuasion phrases physical platform Poetry posture principles proposition public speaking radio reason reveal rhythm selection sentence signs situation social speaker spontaneity stage fright stand supraliminal talk teachers thought tion tones topics usually utterance Vachel Lindsay vocal voice walk Walt Whitman WILBERT SNOW win response wish words writing