Basic Principles of SpeechHoughton Mifflin, 1936 - 577 Seiten |
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Seite 123
... movements that accounted for your impression . The next time you listen to a speaker who has broken down the ... movements of the skeletal muscles : of the arm muscles involved in gesturing , of the muscles that play in facial expression ...
... movements that accounted for your impression . The next time you listen to a speaker who has broken down the ... movements of the skeletal muscles : of the arm muscles involved in gesturing , of the muscles that play in facial expression ...
Seite 144
... movements involved in walking ? In posture ? In facial ex- pression ? In head emphasis ? In gestures ? ( b ) Covert action- the faintly discernible muscle move- ments that accompany properly motivated overt ac- tion ? Or movements that ...
... movements involved in walking ? In posture ? In facial ex- pression ? In head emphasis ? In gestures ? ( b ) Covert action- the faintly discernible muscle move- ments that accompany properly motivated overt ac- tion ? Or movements that ...
Seite 213
... movements . Exaggerate the sounds while you are practicing . Overdo them in privacy and in class exercises . Speak ... movements . 2. For the jaws . Utter these sounds with a broad movement of the jaws . Exaggerate . Prolong the vowels ...
... movements . Exaggerate the sounds while you are practicing . Overdo them in privacy and in class exercises . Speak ... movements . 2. For the jaws . Utter these sounds with a broad movement of the jaws . Exaggerate . Prolong the vowels ...
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Häufige Begriffe und Wortgruppen
Absent-minded professors ALFRED LORD TENNYSON Alfred Noyes aloud appeal argument arouse interest audience behavior bodily action body breath Carl Sandburg cause chapter character climax communicate Conclusion conversation covert action cues discussion effective emotional establish contact Exercises expression extemporaneous speech eyes fact fear force Franklin D free verse gestures give habits hand hearers hold attention human impulse inflections Knight Dunlap larynx listen logical Louis Untermeyer means melody memorize ment mental attitude method mind move movements muscles nature negative suggestion outline pauses person persuasion phrases physical platform Poetry posture principles proposition public speaking radio reason reveal rhythm selection sentence signs situation social speaker spontaneity stage fright stand supraliminal talk teachers thought tion tones topics usually utterance Vachel Lindsay vocal voice walk Walt Whitman WILBERT SNOW win response wish words writing