Seeming Knowledge: Shakespeare and Skeptical FaithBaylor University Press, 2007 - 348 Seiten Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation. |
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... things supernatural and causeless . Hence is it that we make trifles of terrors , ensconcing ourselves into seeming ... thing ) that begins no later than Descartes and Shakespeare . " 2 Cavell's conjunction of Descartes with Shakespeare ...
... things supernatural and causeless . Hence is it that we make trifles of terrors , ensconcing ourselves into seeming ... thing ) that begins no later than Descartes and Shakespeare . " 2 Cavell's conjunction of Descartes with Shakespeare ...
Seite 96
... Thing , not just one of Four Last Things . But the plays ' silence on that point may also be construed as a way of directing our attention to suffering itself , without assuming that it reveals any- thing except tragedy . It does not ...
... Thing , not just one of Four Last Things . But the plays ' silence on that point may also be construed as a way of directing our attention to suffering itself , without assuming that it reveals any- thing except tragedy . It does not ...
Seite 197
... things either better than nature bringeth forth , or , quite anew , forms such as never were in nature " ( Apology , 156 ) ... thing , " " for the truest poetry is the most feigning , and lovers are given to poetry , and what they swear in ...
... things either better than nature bringeth forth , or , quite anew , forms such as never were in nature " ( Apology , 156 ) ... thing , " " for the truest poetry is the most feigning , and lovers are given to poetry , and what they swear in ...
Inhalt
Comic Faith | 33 |
Tragic Grace | 65 |
History and Guilt | 97 |
Urheberrecht | |
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acknowledges action allusions Antony appears argues asserts beginning believe biblical Caesar called Cambridge century chapter characters Christian claim clear clearly closely comedy common concerned contrast Coriolanus critical death Descartes describes drama Duke early Edited effect Elizabethan emphasizes England English English Studies Erasmus Errors Essays evident example faith father forgiveness gives Hamlet Henry Henry VI history plays hope human imagines important influence John Juliet kind King King Lear learned less London Machiavelli means Measure mind Montaigne moral nature never offers origin Oxford parallel particular Pascal Pericles play's political possibility prayer Princeton problem question reading reason recognize refers Reformation religious response rhetorical Richard Roman Romeo says scene seems self-deception sense Shakespeare skepticism social soliloquy stage stoic story succession suffering suggests suspicion thing thinking thought tion Titus traditional tragedy true turn University Press virtue York