"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
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Seite 156
... familiar with the stage design and the practice of per- formances could immediately identify demons and devils by their means of entrance . Thereby , the entry serves as an explicit authorial , non - verbal means of characterization of ...
... familiar with the stage design and the practice of per- formances could immediately identify demons and devils by their means of entrance . Thereby , the entry serves as an explicit authorial , non - verbal means of characterization of ...
Seite 166
... familiar spirit . Thus , Tarpax appears as a mixture of the devil and a familiar similar to the conception of the devil - dog Tom in The Witch of Edmonton . An interesting constellation obtains in the relationship between Calib , Tarpax ...
... familiar spirit . Thus , Tarpax appears as a mixture of the devil and a familiar similar to the conception of the devil - dog Tom in The Witch of Edmonton . An interesting constellation obtains in the relationship between Calib , Tarpax ...
Seite 321
... familiar spirit , that I may go to her , and afke of her . And his feruants faid to him , Beholde , there is a woman at En - dor that hathe a familiar spirit ” ( Geneva , 1Sam . 28.7 ) . See also Robbins , " Familiars " 190-93 ...
... familiar spirit , that I may go to her , and afke of her . And his feruants faid to him , Beholde , there is a woman at En - dor that hathe a familiar spirit ” ( Geneva , 1Sam . 28.7 ) . See also Robbins , " Familiars " 190-93 ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
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