"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
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Seite 113
... once again / My wife , sister , and daughter " ( 4.2.220-21 ) . At the same time , he becomes her accomplice because he does not reveal his knowledge and deliver his wife to the law . Moreover , he even orders Robert not to speak about ...
... once again / My wife , sister , and daughter " ( 4.2.220-21 ) . At the same time , he becomes her accomplice because he does not reveal his knowledge and deliver his wife to the law . Moreover , he even orders Robert not to speak about ...
Seite 153
... once more Joan who formulates it - this time by referring to Talbot . The end of Joan's glory becomes evident in the conjuring scene , 213 which is well prepared by Shakespeare . The English suspect the French of the prac- tice of ...
... once more Joan who formulates it - this time by referring to Talbot . The end of Joan's glory becomes evident in the conjuring scene , 213 which is well prepared by Shakespeare . The English suspect the French of the prac- tice of ...
Seite 203
... once more in order to achieve a reunion of the couple : CYNTHIA . Now it resteth , Dipsas , that if thou wilt forswear that vile art of enchanting , Geron hath promised again to receive thee ; otherwise , if thou be wedded to that ...
... once more in order to achieve a reunion of the couple : CYNTHIA . Now it resteth , Dipsas , that if thou wilt forswear that vile art of enchanting , Geron hath promised again to receive thee ; otherwise , if thou be wedded to that ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
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