"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
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Seite 17
... seem , by prayers , and invocation of Gods powerfull Names , to compell the Devil to say or do what the Conjurer ... seems contradictory , how- ever , because he is said to have no personal contact with the devil , but he still has ...
... seem , by prayers , and invocation of Gods powerfull Names , to compell the Devil to say or do what the Conjurer ... seems contradictory , how- ever , because he is said to have no personal contact with the devil , but he still has ...
Seite 179
... seems to act on her own in this case . After she has pronounced her charms , she also announces that she will prevent the gentle shepherdess Amie from being united with Karolin , a shepherd whom Amie desperately loves : MAUDLIN . But ...
... seems to act on her own in this case . After she has pronounced her charms , she also announces that she will prevent the gentle shepherdess Amie from being united with Karolin , a shepherd whom Amie desperately loves : MAUDLIN . But ...
Seite 333
... seems to be the traditional one that takes the special affinity between witchcraft and certain animals into consideration . 68 The recurring question of how Prospero could obtain his knowledge about Sycorax , although he has never ...
... seems to be the traditional one that takes the special affinity between witchcraft and certain animals into consideration . 68 The recurring question of how Prospero could obtain his knowledge about Sycorax , although he has never ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
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