"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
Im Buch
Ergebnisse 1-3 von 49
Seite 175
... shape in the familiar surroundings of her home . The fact that she dwells in the forest prefigures the later image of Jacob and Wilhelm Grimm's fairy - tale witch . 269 When she talks to Douce , who is wearing Earine's dress , Maudlin ...
... shape in the familiar surroundings of her home . The fact that she dwells in the forest prefigures the later image of Jacob and Wilhelm Grimm's fairy - tale witch . 269 When she talks to Douce , who is wearing Earine's dress , Maudlin ...
Seite 179
... Shape ; as Scathlock saies . ( 2.6.121–23 ) The deformity of her body reflects the deformity of her character . She there- fore corresponds to the stereotype of an old and ugly witch , yet this monodi- mensional conception owns various ...
... Shape ; as Scathlock saies . ( 2.6.121–23 ) The deformity of her body reflects the deformity of her character . She there- fore corresponds to the stereotype of an old and ugly witch , yet this monodi- mensional conception owns various ...
Seite 189
... shape / To some fowle monster , that shall beare thy name " ( 3.66-68 ) . This threat creates an uncanny atmosphere as the audience has witnessed Iuno's spell on stage and cannot doubt the seriousness of her vengeance . Cox points to ...
... shape / To some fowle monster , that shall beare thy name " ( 3.66-68 ) . This threat creates an uncanny atmosphere as the audience has witnessed Iuno's spell on stage and cannot doubt the seriousness of her vengeance . Cox points to ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women