"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
Im Buch
Ergebnisse 1-3 von 87
Seite 156
... stage directions additionally identify them as fiends . Their appearance from regions under the surface indicates an entrance from beneath the stage.225 Obviously a trap served as an entry for the spirits : The use of the space beneath ...
... stage directions additionally identify them as fiends . Their appearance from regions under the surface indicates an entrance from beneath the stage.225 Obviously a trap served as an entry for the spirits : The use of the space beneath ...
Seite 224
... stage is appropriately set in the form of hell , with flames be- neath and smoke filling the air ( 21-22 ) . In compliance with traditional stage conventions , the witches enter from beneath , according to the text . However , it is ...
... stage is appropriately set in the form of hell , with flames be- neath and smoke filling the air ( 21-22 ) . In compliance with traditional stage conventions , the witches enter from beneath , according to the text . However , it is ...
Seite 354
... stage of the Rose theatre was set in the direction of north - north - west , and it does not only contradict the implicit stage directions but also common Elizabethan theatre practice . 226 Martin White , Renaissance Drama in Action 123 ...
... stage of the Rose theatre was set in the direction of north - north - west , and it does not only contradict the implicit stage directions but also common Elizabethan theatre practice . 226 Martin White , Renaissance Drama in Action 123 ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women