"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
Im Buch
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Seite 145
... supernatural . Charles , the Dauphin and later King of France , and Reignier , the Duke of Anjou and titular King of Naples , change roles in order to test Joan's prophetic powers at her entrance.180 She passes the test and immedi ...
... supernatural . Charles , the Dauphin and later King of France , and Reignier , the Duke of Anjou and titular King of Naples , change roles in order to test Joan's prophetic powers at her entrance.180 She passes the test and immedi ...
Seite 289
... supernatural influence and free will . Critics have constantly tried to reduce the importance of the Weird Sisters for events in the drama . Bul- lough , for instance , is convinced that the witches have no influence on the course of ...
... supernatural influence and free will . Critics have constantly tried to reduce the importance of the Weird Sisters for events in the drama . Bul- lough , for instance , is convinced that the witches have no influence on the course of ...
Seite 293
... supernatural agency . ( 5 ) Most witches in English Renaissance drama are not individual fig- ures , but established types . Very often these figures possess a wealth of dis- tinct features stemming from learned and popular occult ...
... supernatural agency . ( 5 ) Most witches in English Renaissance drama are not individual fig- ures , but established types . Very often these figures possess a wealth of dis- tinct features stemming from learned and popular occult ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
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