"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
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Seite 25
... traditional harvest and hunting rites emerge as a strong common model of explanation in both Ginzburg's and J. B. Russell's theory . A factor that definitely contributed to the spread of the belief in witch- craft in the sixteenth and ...
... traditional harvest and hunting rites emerge as a strong common model of explanation in both Ginzburg's and J. B. Russell's theory . A factor that definitely contributed to the spread of the belief in witch- craft in the sixteenth and ...
Seite 95
... traditional demonology in the passage quoted above is the belief that the night represented the appropriate time for conjuring . The as- sociation of the darkness of the night with the metaphorical darkness of the act of conjuring is ...
... traditional demonology in the passage quoted above is the belief that the night represented the appropriate time for conjuring . The as- sociation of the darkness of the night with the metaphorical darkness of the act of conjuring is ...
Seite 224
... traditional stage conventions , the witches enter from beneath , according to the text . However , it is noteworthy that they are accompanied by " a kind of hollow and infernal music " ( 25-26 ) instead of thunder and lightning , and in ...
... traditional stage conventions , the witches enter from beneath , according to the text . However , it is noteworthy that they are accompanied by " a kind of hollow and infernal music " ( 25-26 ) instead of thunder and lightning , and in ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accused Almachildes appearance Artesia aspect associated audience Banquo belief in witchcraft Ben Jonson Birth of Merlin Braunmuller Calib character charm classical concept conjuring contemporary context Corbin and Sedge Cynthia death demons devil devil-dog Dipsas edition Elizabethan Endymion England English Renaissance drama Erictho Esche evil fear female function further Hattaway Hecate hell Henry human identifies Idololatria interpretation Introd Jacobean Joan Joan's Jonson King Lady Macbeth Lancashire London lust magic Magie male maleficium Malleus maleficarum Masque of Queens Maudlin Medea Merlin Middleton Mistress Moll Mother Sawyer murder nature night notes occult Orgel Ovid passage play Poneria powers prophecies Prospero Pucelle refers remarks Rhodon Riehle role sabbath scene Scot sexual Shakespeare Shepherd Sophonisba sorcery spirits stage suggests supernatural Sycorax Syphax Tarpax Tellus Tetzeli thee Thomas Thomas Dekker thou tion Weird Sisters William Shakespeare witch figures witch hunts Witch of Edmonton woman women words