The Works of Samuel Johnson, LL. D.: The Adventurer. Philological tractsJ. Buckland [and 40 others], 1787 |
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Seite 34
... language , of which no man difcovered the ufe or propriety , till Le Fevre , by fhewing on what occafion the Ode was written , changed wonder to rational delight . Many paffages yet yet undoubtedly remain in the fame author , which an ...
... language , of which no man difcovered the ufe or propriety , till Le Fevre , by fhewing on what occafion the Ode was written , changed wonder to rational delight . Many paffages yet yet undoubtedly remain in the fame author , which an ...
Seite 38
... language of Horace becomes graceful and familiar ; and that fuch a compliment was at leaft poffible , we know from the transformation feigned by Horace of himfelf . The most elegant compliment that was paid to Addijon , is of this ...
... language of Horace becomes graceful and familiar ; and that fuch a compliment was at leaft poffible , we know from the transformation feigned by Horace of himfelf . The most elegant compliment that was paid to Addijon , is of this ...
Seite 49
... language the work of chance , men will always find reafons for confidence or diftruft , according to their different tempers or inclinations ; and he that has been long accustomed to please himself with poffibilities of fortuitous ...
... language the work of chance , men will always find reafons for confidence or diftruft , according to their different tempers or inclinations ; and he that has been long accustomed to please himself with poffibilities of fortuitous ...
Seite 69
... language , ventured to copy or to rival the Sicilian bard : he has written with greater fplendor of dic- tion , and elevation of fentiment : but as the mag- nificence of his performances was more , the fimpli- city was lefs ; and ...
... language , ventured to copy or to rival the Sicilian bard : he has written with greater fplendor of dic- tion , and elevation of fentiment : but as the mag- nificence of his performances was more , the fimpli- city was lefs ; and ...
Seite 70
... language worthy of the first of Roman poets ; but I am not able to recon- cile myself to the difproportion , between the per- formance and the occafion that produced it : that the golden age fhould return because Pollio had a fon ...
... language worthy of the first of Roman poets ; but I am not able to recon- cile myself to the difproportion , between the per- formance and the occafion that produced it : that the golden age fhould return because Pollio had a fon ...
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affiftance againſt almoſt arife becauſe caufes cauſe cenfure character compofition confidered criticks curiofity defign defire difcovered diftinction diligence eafily eafy endeavoured fafe faid Falstaff fame fcarcely fcenes fcience fecure feems feldom fenfe fent fentiments fhall fhew fhewn fhould fince fingle firft firſt folicit fome fometimes foon fpeech ftand ftate ftill ftory ftudies fubject fuccefs fuch fuffered fufficient fupply fuppofe furely happineſs Harleian library Henry VI hiftory himſelf honour increaſe inferted inftruct intereft juft king knowledge labour laft language learned lefs likewife loft mankind mind moft moſt muft muſt myſelf nature neceffary neceffity obfcure obferved occafion ourſelves paffages paffed paffions perfon perhaps play pleafing pleaſe pleaſure poet praife praiſe prefent preferved publick purpoſe racter raife raiſed reader reafon reft ſcenes Shakespeare ſhall ſkill ſtate thefe themſelves theſe thofe thoſe thought tion truth underſtand univerfal uſe virtue whofe words writers
Beliebte Passagen
Seite 232 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Seite 289 - I have indeed disappointed no opinion more than my own ; yet I have endeavoured to perform: my task with no slight solicitude.
Seite 243 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Seite 263 - ... whether from all his successors more maxims of theoretical knowledge, or more rules of practical prudence, can be collected, than he alone has given to his country.
Seite 285 - In restoring the author's works to their integrity, I have considered the punctuation as wholly in my power; for what could be their care of colons and commas, who corrupted words and sentences?
Seite 232 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Seite 245 - His declamations or set speeches are commonly cold and weak, for his power was the power of nature...
Seite 251 - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves unhappy for a moment; but we rather lament the possibility, than suppose the presence of misery, as a mother weeps over her babe, when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction ; if we thought murders and treasons real, they would please no more.
Seite 249 - There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field.
Seite 246 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight that he was content to purchase it by the sacrifice of reason, propriety and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.