Charles Darwin's Works: The expression of the emotions in man and animalsD. Appleton, 1896 |
Häufige Begriffe und Wortgruppen
affected Anatomy of Expression anger animals appearance Asa Gray associated astonishment backwards become blush brows canine canine tooth Captain Speedy cause chimpanzee closely corners corrugator crying depressores anguli oris Dhangar Duchenne Dyaks ears edit emotions erect especially excited extreme eyebrows eyelids face fear feel forehead frown gestures Gratiolet grief habit hair hands head Hensleigh Wedgwood Herbert Spencer infants inherited instance involuntary Kafirs lacrymal glands laughter Laura Bridgman likewise lower Malays manner ment mind monkeys mouth movements muscles round natural neck nerve-cells nerve-force nostrils oblique observed orbicular muscles pain persons photograph Physionomie platysma principle protruded races rage raised reflex actions remarks retina round the eyes savage screaming secretion of tears seems seen sensation sensorium shoulders shrug side skin slight smile sometimes sounds strongly contracted suffering tail teeth terror tion upper lip utter various violent weeping whilst wrinkled young Zoological Gardens
Beliebte Passagen
Seite 289 - In thoughts from the visions of the night, when deep sleep falleth on men, Fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face ; the hair of my flesh stood up...
Seite 259 - I tell thee what, Hal, if I tell thee a lie, spit in my face, call me horse. Thou knowest my old ward ; here I lay, and thus I bore my point.
Seite 240 - Disguise fair nature with hard-favour'd rage ; Then lend the eye a terrible aspect ; Let it pry through the portage of the head Like the brass cannon ; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height.
Seite 289 - Fear came upon me and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up : it stood still, but I could not discern the form thereof : an image was before mine eyes, there was silence, and I heard a voice saying, Shall mortal man be more just than God ? Shall a man be more pure than his Maker?
Seite 363 - Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit?
Seite 29 - Actions, sensations, and states of feeling, occurring together or in close succession, tend to grow together or cohere in such a way that when any one of them is afterwards presented to the mind, the others are apt to be brought up in idea.
Seite 362 - He who gives way to violent gestures will increase his rage; he who does not control the signs of fear will experience fear in a greater degree; and he who remains passive when overwhelmed with grief loses his best chance of recovering elasticity of mind.
Seite 322 - It is not the simple act of reflecting on our own appearance, but the thinking what others think of us, which excites a blush.
Seite 332 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false: at lovers...
Seite 26 - Certain complex actions are of direct or indirect service under certain states of the mind, in order to relieve or gratify certain sensations, desires, etc.; and whenever the same state of mind is induced, however feebly, there is a tendency, through the force of habit and association, for the same movements to be performed, though they may not then be of the least use.