Shakespearean CriticismCengage Gale, 2002 - 432 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 263
... future possibility but as a present actual- ity , with the trenchantly ironic result that from the poet's subjective standpoint the character of the past is radically altered , its reality now becoming an illusion : Thus have I had thee ...
... future possibility but as a present actual- ity , with the trenchantly ironic result that from the poet's subjective standpoint the character of the past is radically altered , its reality now becoming an illusion : Thus have I had thee ...
Seite 291
... future . Lear has made his plans : the action will reveal their consequences ; the unseen future will underwrite a return to normality of a kind , be guaran- tor , as Edgar says , of ' we that are young ' . But in the formal impact of ...
... future . Lear has made his plans : the action will reveal their consequences ; the unseen future will underwrite a return to normality of a kind , be guaran- tor , as Edgar says , of ' we that are young ' . But in the formal impact of ...
Seite 347
... future in the young man sonnets , a future sweetened at best only by poems testifying to a present to be remembered long hence and brightened only by flashes of the young man's excellence . In sonnet 52 the speaker poses as a miser ...
... future in the young man sonnets , a future sweetened at best only by poems testifying to a present to be remembered long hence and brightened only by flashes of the young man's excellence . In sonnet 52 the speaker poses as a miser ...
Inhalt
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Urheberrecht | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young