Shakespearean CriticismCengage Gale, 2002 - 432 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 144
... seem fairly representative of current feminist and psycho- analytic thinking about the play , and because what she says seems true and useful as a starting point for a consideration of Mercutio's place in the conflict , but also because ...
... seem fairly representative of current feminist and psycho- analytic thinking about the play , and because what she says seems true and useful as a starting point for a consideration of Mercutio's place in the conflict , but also because ...
Seite 150
... seems to mean to say . What she actually says is that the feud defines relations with women as controlling and violent . Her view of " relations among men as intensely competitive " is the standard psychological- feminist one that ...
... seems to mean to say . What she actually says is that the feud defines relations with women as controlling and violent . Her view of " relations among men as intensely competitive " is the standard psychological- feminist one that ...
Seite 297
... seems to be less puzzling than the first . Even without a special knowledge of the theatrum mundi and the play metaphor , a reader may be certain to grasp the central point of Macbeth's philosophy of despair in the second half of the ...
... seems to be less puzzling than the first . Even without a special knowledge of the theatrum mundi and the play metaphor , a reader may be certain to grasp the central point of Macbeth's philosophy of despair in the second half of the ...
Inhalt
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Urheberrecht | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young