Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 Seiten |
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Seite 35
... England , how nature ( wind , sea and cliff , England's natural defences ) hindered her landing , how by an act of magic she bewitched the sea into submission and so made her way into Henry's life and country . This speech seems to be ...
... England , how nature ( wind , sea and cliff , England's natural defences ) hindered her landing , how by an act of magic she bewitched the sea into submission and so made her way into Henry's life and country . This speech seems to be ...
Seite 86
... England's , and the identity of the man who can call himself ' England ' is the subject of dispute . Later the mockery of the Dauphin's marriage comes out in a misappropriation of the same imagery : ' O , two such silver currents , when ...
... England's , and the identity of the man who can call himself ' England ' is the subject of dispute . Later the mockery of the Dauphin's marriage comes out in a misappropriation of the same imagery : ' O , two such silver currents , when ...
Seite 92
... England has no standing because England has braved the Pope whom France is sworn to defend . The higher loyalty supersedes the lower ; France has made a mistake , and human considerations such as marriage and friendship have no place in ...
... England has no standing because England has braved the Pope whom France is sworn to defend . The higher loyalty supersedes the lower ; France has made a mistake , and human considerations such as marriage and friendship have no place in ...
Andere Ausgaben - Alle anzeigen
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Keine Leseprobe verfügbar - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Keine Leseprobe verfügbar - 1977 |
Häufige Begriffe und Wortgruppen
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists